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the 1970s, Charles A. Laughlin would sometimes follow his mother▓, an adventurous cook in the home kitchen, to an Asian market to find ingredients for making Chinese dishes in his hometown Minneapolis, U.S. state of Minnesota. "Immediately after you walk in, the strong smell of dried fish or other k▓inds of pungent spices hit you right away. And it creates a sense of fascination," said La▓ughlin, professor of Chinese literatur▓e and chair of the Department of East Asian Languages, Literatures and Cultures at the University of Virginia.Those visits to the Asian▓ supermarket and Chinese restaurants had led to Laughlin's decision to study Chinese in his second year at the University of Minnesota. Now, for the 55-year-old professor, it has already been his "congen▓ial career" to study and translate contemporary and present-age Chinese literature.EMERGENCE OF CHINESE LITERATUREContemporary Chinese literature started to tak▓e on a greater brilliance when the ancient Asian country launched its reform and opening up in the late 1970s, Laughlin said.When Laughlin star▓ted teaching at Yale University more than 2▓0 years ago after he graduated with a ▓PhD in Chinese Literature from Columbia University, i▓t was not difficult to decide what to teach."You have ▓a fairly short list of the really important au▓thors and some really significant works to▓ use," said Laughlin. The names included Lu Xun, Mao Dun, Cao Yu, and Ba Jin, mostly authors from the first half of the 20th Century.More and more Chinese writers and critics have since entered the international arena, he said. In October 2012, novelist Mo Yan was awarded the Nobel Prize in Literature for his work that "with hallucinatory realism merges folk tales, history and the contemporary.""It's hard for me to keep up with all of the great (Chinese) autho▓rs who are being brought into English," he ▓said. "So I've been responding to that by teaching▓ less and less of the early major authors from 100 years ago."What also caught Laughlin's attention is the emergence of Chinese science fiction, particularly Liu ▓Cixin's Hugo Award-winning Three-Body Problem, in re▓cent years."They are becoming not only popular▓ among Chinese readers, but also across the world," he said. "There seems to be a lot more excitement and attention to them than any other movement or group of Chinese writers who has emerged since th▓e 1980s. So I adopt more and more of this."The scholar noted that modern Chinese culture "kind of originated with the adoption and translation of Western science fiction into Chinese" and Lu Xun, Lin Shu and many other important Chinese auth▓ors of the early 20th century had translated Western science fiction."Now Chinese scienc▓e fiction is becoming globally influent▓ial. I think it's a great phenomenon," he said. "▓So there's a kind of full circle here."FLAVOR OF TODAY'S▓ CHINAWhen he and professor Liu Hongtao from Beijing Normal University were selecting▓ the novellas for their 2016 book "By the River: Seven Contemporary Chinese Novellas," Laughlin said they were looking for works of today's China that conveyed the fabric of contemporary experience in the thriving economy."We wanted to show the flavor of everyday life in China, wi▓thout so much drama and violence," said Laughlin. What American readers often look for when they read Chinese authors, however, is "some kind of criticism of some kind of problem" in society, he added.Laughlin was confident that their selected Chinese Literature would help Western readers better understand the more complex and richer reality of the fast-transforming Asian power."What literature does, and this goes for independent documentary films and contemporary feature films as well, is to recreate the subjective experience of being Chinese▓," he said.Literature is the original "virtual reality," be it poetry, fiction, drama or essays, which not only "portrays" what is going on in Chi▓na today, but "delivers the feeling▓ of experiencing it, often in emotionally inten▓se settings such as love or trauma," said Laughlin."When it is very good, it may also rise above the moment and▓ say something more profound about China, the worl▓d, or humanity which is something we also don't expect from▓ media coverage," he said."One doesn't need to limit one's reading to contemporary writers," he said. "The more ▓you read back into the century before and the centuries before that...the more you see the continuities and changes of Chinese▓ culture."CROSSI

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NG CULTURAL BARRIERS IN DIGITAL, VISUAL WORL▓DLaughlin has been changing his syllabus and▓ ways of teaching his students about literature in general

as it is becoming "marginalized by digi▓tal culture and visual


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